<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">CEIP</journal-id><journal-title-group><journal-title>Curriculum Education Innovation and Practice</journal-title></journal-title-group><issn>3067-204X</issn><eissn>3067-2058</eissn><publisher><publisher-name>Art and Design</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.61369/CEIP.2025020023</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>口头表演理论视野下彝族酒歌的创造性继承与发展研究</title><url>https://artdesignp.com/journal/CEIP/1/2/10.61369/CEIP.2025020023</url><author>袁遥</author><pub-date pub-type="publication-year"><year>2025</year></pub-date><volume>1</volume><issue>2</issue><history><date date-type="pub"><published-time>2025-05-20</published-time></date></history><abstract>彝族酒歌是彝族文化的重要载体，蕴含丰富民族内涵与文化价值。本研究基于音乐表演理论，采用文献分析、视频收集与实地考察相结合的方法，系统探讨彝族酒歌的起源、分类、艺术特征及表演技巧，发现其面临传承主体流失、传播渠道单一等困境，从数字化保护、教育传承、创新传播等维度提出传承与传播策略，以促进其活态传承与民族文化多样性发展。</abstract><keywords>彝族酒歌,口头表演理论,传承,传播</keywords></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>[1]巴莫曲布嫫.《彝族风俗志》[M].中央民族大学出版社,1992:35-42.&amp;nbsp;[2]普珍.《彝族民间文学概论》[M].民族出版社,2004:78-85.&amp;nbsp;[3]伍国栋.《中国少数民族音乐》[M].人民音乐出版社,2006:156-163.&amp;nbsp;[4]罗曲.《大凉山彝族民间音乐研究》[M].西南交通大学出版社,2015:45-52.&amp;nbsp;[5]杨民康.《云南少数民族音乐文化》[M].云南人民出版社,2003:102-110.&amp;nbsp;[6]张中笑,罗廷华.《贵州少数民族音乐》[M].贵州民族出版社,1997:89-96.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
